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86 minutes (with a 51 minute abridged version and extras), 2008, Producer/Director: Katrina Browne Co-Directors: Alla Kovgan, Jude Ray Co-Producers; Elizabeth Delude-Dix, Juanita Brown An online FACILITATOR GUIDE is available for this title.
ABOUT THE FILM
Nominated for an Emmy for "OUTSTANDING INDIVIDUAL ACHIEVEMENT IN A CRAFT: RESEARCH".
Winner of the Henry Hampton Award for Excellence in Film & Digital Media from the Council on Foundations and Grantmakers in Film & Electronic Media.
In Traces of the Trade: A Story from the Deep North, one family's painful but persistent confrontation with the continuing legacy of the slave trade becomes America's. Katrina Browne uncovers her New England family's deep involvement in the Triangle Trade and, in so doing, reveals the pivotal role slavery played in the growth of the whole American economy. This courageous documentary asks every American what we can and should do to repair the unacknowledged damage of our troubled past.
Katrina Browne was shocked to discover that her Rhode Island forebears had been the largest slave-trading dynasty in American history. For two hundred years, the DeWolfs were distinguished public servants, respected merchants and prominent Episcopal clerics, yet their privilege was founded on a sordid secret. Once she started digging, Browne found the evidence everywhere, in ledgers, ships logs, letters, even a family nursery rhyme. Between 1769 and 1820, DeWolf ships carried rum from Bristol, Rhode Island to West Africa where it was traded for over 10,000 enslaved Africans. They transported this human cargo across the Middle Passage to slave markets from Havana to Charleston and beyond, as well as to the family's sugar plantations in Cuba. The ships returned from the Caribbean with sugar and molasses to be turned into rum at the family distilleries, starting the cycle again.
This film explains how the New England slave trade supported not just its merchants but banks, insurers, shipbuilders, outfitters and provisioners, rich and poor. Ordinary citizens bought shares in slave ships. Northern textile mills spun cotton picked by slaves, fueling the Industrial Revolution, and creating the economy that attracted generations of immigrants. It was no secret; John Quincy Adams, sixth president, noted dryly that independence had been built on the sugar and molasses produced with slave labor. Traces of the Trade decisively refutes the widely-accepted myth that only the South profited from America's "peculiar institution."
Browne invited two hundred descendants of the DeWolfs to join her on a journey to explore their family's past; only nine came, ranging from a 71 year old Episcopal priest to a County Commissioner from Oregon . Intrepid, intellectually and morally engaged, and a little too polite and "Protestant" for at least one among them, they retrace the Triangle Trade from their ancestors' Bristol cemetery to the slave castles of Ghana and the ruins of a family plantation in Cuba. In Ghana, they discuss the impact of the slave trade on Africa with leading scholars, meet students who pointedly ask if they are ashamed of their family's past, and encounter African-Americans on homecoming pilgrimages. They are surprised and humbled when their good intentions are sometimes met with hostility but, exhausted and shaken, they press on.
On their return they have a clearer insight into this country's persistent racial chasm, why black and white Americans have two versions of their common history. They join the growing discussion around restorative justice and racial reconciliation. Harvard law professor, Charles Ogletree, co-chair of the Reparations Coordinating Committee, argues for a fund to benefit the descendants of slaves still excluded from American prosperity. Brown economist, Glenn Loury, counters that reparations might alienate more Americans than it would attract. But Harold Fields, facilitator of a ten year long multi-racial, city-wide dialogue in Denver, points out that "maybe reparations is a process not necessarily an event." This compelling film has become a valuable part of that process.
Katrina Browne concludes: "In Traces of the Trade, we were trying to decide: what is our responsibility? It's important to roll up our sleeves to deal with what we have inherited from our country's history." This film especially asks what the legacy of slavery is for white Americans. It points to the fundamental inequity and institutional racism that persists and to the broken relationship between black and white Americans. It invites every viewer to consider what it will take to move beyond the guilt, defensiveness, fear and anger which continue to divide us.
Chapter Listing 1. Discovering Ancestors Traded Slaves 2. The Journey Begins 3. Northern Complicity 4. Northern Amnesia 5. Ghanaian Slave Forts 6. Invasion of Precious Space/Sacred Ground 7. Town Hall Dialogue 8. Complicity in Cuba 9. Family Debates on Race 10. Plantation Ruins 11. Approaches to Reparations 12. Episcopal Resolutions /Spiritual Healing
For an overview of David Eltis and David Richardson new book, Atlas of the Transatlantic Slave Trade, please see CNN.com
Read producer Katrina Browne's comments on Obama's historic trip to Ghana's slave castle on CNN.com
Read Katrina Browne's follow-up commentary about apologizing for slavey on CNN.com
Prior to filmmaking, Katrina Browne co-founded Public Allies, an AmeriCorps program she launched to recruit more young people and people of color into nonprofit careers, and has an M.A. in Theology from the Pacific School of Religion. Browne is the Executive Director of the Tracing Center on Histories and Legacies of Slavery.
Ebb Pod Productions' Proceeds from DVD sales will be dedicated to social engagement or donated to relevant causes.
Funding provided by: the Ford Foundation, Akonadi Foundation, Animating Demacracy Initiative (a project of Americans for the Arts), Threshold Foundation, Trinity Grants Program, Annie E, Casey Foundation, Sundance Institute Documentary Film Program, and many other institutions and individuals.
Please place all digital subscription and rental orders directly with those providers.
CRITICAL COMMENT
"A moving film."
Bill Moyers
"A far-reaching personal documentary examination of the slave trade...The implications
of the film are devastating."
Stephen Holden, New York Times
"What if you found out that your Rhode Island ancestors were the largest slave-trading family in U.S. history? Spurred by this troubling discovery, Katrina Browne set off on an odyssey to make sense of this outrage and, maybe, to make some small amends."
Frazier Moore, Associated Press
"Traces of the Trade is a stark reminder of how far this nation has come and the distance it must yet go..."
DeWayne Wickham, Gannett News Service
"Traces of the Trade will be an invaluable tool to help white Americans of all backgrounds come to a deeper understanding of white privilege in classrooms, in organizational diversity trainings, in interracial dialogue settings, and beyond."
Peggy McIntosh, Author, White Privilege: Unpacking the Invisible Knapsack
"This film presents important scholarship, reminds us of where we come from, and then bravely invites us to step into new relationships, as individuals and as societies."
